Discussing geometric shapes in modern art

Geometric shapes in modern art have been a conceptual language and, at the same time, a philosophic tool because artists, from the very beginning of the 20th century, began to leave the traditional representation of the world behind and embrace the abstract as a means of expressing new perspectives. In other words, this has to do with breaking up from being realistic and finding an interpreter that understands the world in a new light of seeing it.

One of the major contributors of this revolution was Wassily Kandinsky, who believed that geometric shapes somehow carry meaningful relevance. His compositions were colorful combinations of circles, squares, and triangles; each composed element carried its emotional and spiritual implications. The circle, for example, symbolized cohesion and wholeness, and the triangle stood for movement or pulsation. To him, these shapes are more than mere formal parts-they are the vehicles of expression which step beyond the material world and touch upon the universal truths.

Geometric shapes assumed such an influence, too, in the works of artists like Piet Mondrian and Kazimir Malevich. Mondrian's abstract compositions with their grids of rectangles and squares attempt harmony through balance and proportion. His famous series, "Composition with Red, Blue, and Yellow," very well shows how simple shapes and primary colors can conjure complex emotions and ideas. 

 Artists even now use geometric forms to express themes that would be relevant in issues regarding order and chaos or the issues between the individual self and the universe. In an increasingly technological and designed world, the use of geometric forms in art remains a powerful tool for conveying complex ideas in view.

Undoubtedly, geometric shapes have that once-thriving appeal in modern art for getting artists and viewers into very interesting discussion about abstraction, order, and the emotiveness of minimalism. It is by means of these geometric shapes that the way art can be used to speak about clarity and precision as a language in respect to contemplating a world that has not been envisioned or thought of before.

Discussing geometric shapes in modern art